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Continuing on from the Criterion Shelf, The Classics Shelf is an ongoing retrospective of classic cinema produced monthly by writer Bil Antoniou and in collaboration with other writers in the That Shelf stable. This month’s theme is the 1982 Cannes Film Festival, and I contributed a review of the 1982 film Moonlighting, starring Jeremy…

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This year’s inaugural Top Ten films list from the Cascadia Critics is full of excellent picks, including a few I don’t think you’ll see coming. I had the privilege of writing out our number five pick: Greta Gerwig’s Barbie. …it turned out that Barbie was the best kind: fun, funny, and heartfelt whilst also investigating and…

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This year I contributed to Exclaim.ca’s top twenty films of the year both with my vote and by writing up David Fincher’s The Killer, which took the #19 spot on the list. No matter how you slice it, this film is meticulously crafted, dryly funny, appropriately brutal, and features a killer performance from Michael…

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This year, I contributed to Exclaim.ca’s Best 10 TV series of the year list with both my vote and by writing up Mike Flanagan’s excellent The Fall of the House of Usher miniseries, which took the #8 spot. Mike Flanagan returns with another project that proves he is the master of the adaptation, remixing…

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Criterion Shelf is an ongoing collaborative retrospective of classic films, helmed by Bil Antoniou, tackling curated collections on the Criterion Channel. For November 2023, the topic was the curated list ‘Pre-Code Divas’, a list of films featuring strong women characters dealing with leering men and racy subject matter, at least by 1930s standards. Several…

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Criterion Shelf is an ongoing collaborative retrospective of classic films, helmed by Bil Antoniou, tackling curated collections on the Criterion Channel. For October 2023, I contributed a write-up of the classic film Masque of the Red Death from the Roger Corman-directed Edgar Allan Poe cycle of films starring Vincent Price. If you grew up…