•
Matthew: How was the production process? I understand you had Taika Waititi on board as an executive producer and a number of Canadian talents as well. How did that all come together? Danis Goulet: It was amazing. The cast is so incredible to work with. We were a Canada-New Zealand co-production, so we had…
•
On this show we are previewing the 40th edition of the Vancouver International Film Festival. It is the largest film festival in Western Canada and gets plenty of prestige films from around the world. Joining the show is Matthew Simpson, who is one half of the Awesome Friday Movie Podcast. We each picked five films (and…
•
This years festival was a great one, and it was hard to narrow our favourites to just five in total, so that’s why we chose seven (but even that was difficult!). You can check out all of our festival coverage by clicking the banner above, and you’ll find where to stream each of the…
•
This week Matt and Simon are talking about the summer movie sensation Free Guy, starring Vancouver Local Ryan Reynolds, and the new horror movie release The Night House starring Rebecca Hall, which had it’s Canadian premiere at Fantasia Festival last week and is in theatres now. One of these films we think is excellent and the other…
•
2021 is turning out to be a big year for Sera-Lys McArthur. The alum of series such as Arctic Air and Burden of Truth is starring in two films at Fantasia Fest this year, a short (which she also produced) called Kwêskosîw (She Whistles) and the feature film Don’t Say Its Name, a horror film which had its…
•
Earlier this week I was able to watch and review a number of short films, including Kwêskosîw (She Whistles), a story with a supernatural twist from Indigenous filmmaker Thirza Cuthand. I was able to speak with Thirza about the film as well, and here is the conversation I had with them. I Full Interview at…
•
Amelia Moses has had a breakout year, with not one but two feature film releases: Bleed With Me, a psychological horror film which screened at Fantasia Festival this past summer, and now Bloodthirsty, a werewolf movie with more than a few twists and turns. Both films are screening as part of the 2020 Blood in the…
•
The Vancouver International Film Festival has come to a close, so I hopped on Zoom to talk with two friends and fellow film festival attendees, Matthew Simpson from Awesome Friday and Leanne Mclaren from 103.5 QMFM. We discuss our top 3 favorite films each of them saw during the festival, as well as some…
•
There’s no denying that 2020 has been an abnormal year for film, and film festivals are by no means exempt from that. I sat down with Curtis Woloschuk, associate director if programming for the Vancouver International Film Festival, to talk about this years festival moving online and other challenges of hosting a festival during…
•
ohn Ware Reclaimed is a look at one of the least told types of stories in Canada, that of black history. John Ware himself is a locally famous figure and telling his story has been a lifelong interest of Canadian historian and writer Cheryl Foggo, who wrote and directed the film. I have already watched and…
•
For Foggo, John Ware has been a lifelong concern. She started a research file in the early days of her career as a writer and, in 2012, wrote a play titled John Ware Reimagined –songs from which are staged throughout this film– about his life and times. She admits that she knows she is…
•
On its face, Jumbo is about a young woman who falls in love with a carnival ride. No, not “oh hey, I love that ride.” She develops a deep emotional and sexual attachment to the ride. Yes, that’s a bit weird, but that is just the surface of the story. At its heart, Jumbo is about…
•
Of all the stories presented, one common thread is money. Unfortunately, those who do the damage are more concerned with money than with the people affected. Again, this is not new information. Living through late-stage capitalism has made none of this surprising, only disappointing. Many stories in The Magnitude of All Things are as much about…
•
What makes Inconvenient Indian powerful is that it doesn’t let us get away with this. After a long section of various indigenous efforts to reclaim culture and foster some hope, the film also draws a straight line from our collective past to our present ignorance. It directly shows the police violently arresting Wetʼsuwetʼen people in BC…