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The Classics Shelf is an ongoing retrospective of classic cinema produced monthly by writer Bil Antoniou in collaboration with other writers in the That Shelf stable. The theme for June 2024 was the films of Anjelica Huston, which I contributed to with a brief review of her performance in the film The Man from…
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There are few things in life as devastating as the loss of a pet. Pets are members of our family, our companions, and unlike people, pets (dogs especially) always offer their love unconditionally. A loss like this can leave a person reeling, and no matter what our societal norms around them are, they are…
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The town is dying. That’s the start of Christian Sparkes’ new drama Sweetland. It’s not entirely clear why, but the town is metaphorically crumbling. The residents have a chance at government-assisted relocation and job retraining, but the offer is only good if every resident takes it, and Moses Sweetland (Mark Lewis Jones) doesn’t want to.…
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It feels like this series could have been an immediate follow-up to Davies’s prior run on the series. The tone and style feel in line with Christopher Eccleston and David Tennant’s runs on the series, with a mad alien and a bright-eyed human travelling space and time in a blue box and fixing problems…
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… [D]irector Christian Sparkes captures both the scope and feeling of living in a small but tight-knit community. There’s authenticity to how the characters behave around each other and the closeness with which they speak and act, even when antagonistic. The tone of these scenes at the end is nearly pitch-perfect, and the script by writers…
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Continuing on from the Criterion Shelf, The Classics Shelf is an ongoing retrospective of classic cinema produced monthly by writer Bil Antoniou and in collaboration with other writers in the That Shelf stable. This month’s theme is the 1982 Cannes Film Festival, and I contributed a review of the 1982 film Moonlighting, starring Jeremy…
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[T]his reliance on archetypes and such a well-established formula is both the show’s biggest weakness and its greatest strength. It’s either “another Law & Order…” or “Another Law & Order!” That might seem like a fairly narrow distinction, but it’s true. Once again, this is a franchise with enough episodes under its belt that if…
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Every excellent detective show needs a hook. Sometimes, the detective is a rogueish outsider or has a particular personality quirk or compulsion. In Sight Unseen, ace detective Tess Avery (newcomer Dolly Lewis) abruptly loses her ability to see. At first, in denial of this, she puts her partner Jake (Daniel Gillies) in peril and…
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The television entries of the Marvel Cinematic Universe have been, to date, mostly pretty good. While not 100% successful, they have each tried new genres and expanded the universe in interesting ways. While they have performed well with most audiences, there are some that have been dissatisfied with them. Aside from claiming they suffer…
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Criterion Shelf is an ongoing collaborative retrospective of classic films, helmed by Bil Antoniou, tackling curated collections on the Criterion Channel. For November 2023, the topic was the curated list ‘Pre-Code Divas’, a list of films featuring strong women characters dealing with leering men and racy subject matter, at least by 1930s standards. Several…
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And what of the Titans? Interestingly, the show isn’t really about the Titans per se, so they don’t show up quite as much as you might anticipate. However, when they do, they show up like the forces of nature they are. There are a few new monsters we are introduced to and, naturally, Godzilla…
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It also follows them as they create art installations and experiences for their community, portrayed with noble intent. Unfortunately, the impact of these events is never investigated excepting how it affects the The Good Guise themselves. Herein lies the biggest problem with We Will Be Brave: its scope feels too limited. These five men are…
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Criterion Shelf is an ongoing collaborative retrospective of classic films, helmed by Bil Antoniou, tackling curated collections on the Criterion Channel. For October 2023, I contributed a write-up of the classic film Masque of the Red Death from the Roger Corman-directed Edgar Allan Poe cycle of films starring Vincent Price. If you grew up…
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The movie is ultimately Sennott’s show and she carries it with the confidence of a seasoned performer. The story sees her tackle more than a few complicated subjects. Through it all, she makes Sam believable, sympathetic, and, when the script calls for it, hilarious. It is an excellent performance that anchors I Used to Be…
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For his part, Hiddleston slips back into Loki like a glove he’s been wearing all his life, this time with more concern for both Sylvie and the universe at large. Di Martino as Sylvie gets to play with relief and frustration as she’s dragged back into the fray. Their relationship after last season’s betrayal…