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The Classics Shelf: Billy Wilder | That Shelf
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The Classics Shelf is an ongoing retrospective of classic cinema produced monthly by writer Bil Antoniou in collaboration with other writers in the That Shelf stable. This months edition is a celebration of the work of the great Billy Wilder, a director who made more than his share of outright classics. I contributed short…
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VIFF 2024: Mongrels | That Shelf
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It is more difficult than most of us know to pull up roots and move to another country. The costs involved aren’t simply monetary. You give up community, culture, and your entire network of friends and family, but you do it in the spirit of finding a better life for yourself and your children. Mongrels,…
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The Best Films of 2024 So Far: Dune and Its Challengers | That Shelf
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At the midway point of the year, all of the writers at That Shelf were invited to submit their top five films of 2024 so far, along with any honourable mentions and a favourite performance, and I was happy to submit mine! Here’s my number one pick. Be sure to head to the page…
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Tribeca 2024: Darkest Miriam Explores Grief, and Those Moments Where We Feel Stuck | That Shelf
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There’s something relatable about those times when we feel listless, stuck, or unable to move forward. Sometimes, this is a response to a sudden loss or a not-so-sudden life experience, but most of us have been there at one time or another, at that place where forward momentum seems impossible to generate. From director…
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Tribeca 2024: Presumed Innocent Updates the 90s Classic With Mixed Results | That Shelf
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Where the series falters is in its updates to the story. For fans of the original, some characters are removed or re-positioned. Case in point: there’s no Sandy Sterns in this version (though maybe it’s a good idea not to try to top Raúl Juliá). There are also several red herrings that go nowhere,…
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Tribeca 2024: The Weekend Is a Thrilling Film About the Horrors of Family Dinner | That Shelf
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You don’t choose your family. Some of us are blessed with loving homes, and others come from complicated situations. The Weekend, a fun new thriller from Nigeria, features one hell of a complicated situation. Nikya (Uzoamaka Aniunoh) is an orphan, but she’s begun the journey of starting a new family with her fiance, Luc (Bucci…
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The Classics Shelf: Anjelica Huston | That Shelf
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The Classics Shelf is an ongoing retrospective of classic cinema produced monthly by writer Bil Antoniou in collaboration with other writers in the That Shelf stable. The theme for June 2024 was the films of Anjelica Huston, which I contributed to with a brief review of her performance in the film The Man from…
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Tribeca 2024: ‘All That We Love’ Offers a Familiar Portrait of Grief and Awkward Family Dynamics | That Shelf
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There are few things in life as devastating as the loss of a pet. Pets are members of our family, our companions, and unlike people, pets (dogs especially) always offer their love unconditionally. A loss like this can leave a person reeling, and no matter what our societal norms around them are, they are…
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Sweetland Review: A Bittersweet Story About the Difficulty of Change | That Shelf
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The town is dying. That’s the start of Christian Sparkes’ new drama Sweetland. It’s not entirely clear why, but the town is metaphorically crumbling. The residents have a chance at government-assisted relocation and job retraining, but the offer is only good if every resident takes it, and Moses Sweetland (Mark Lewis Jones) doesn’t want to.…
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Doctor Who Review: Ncuti Gatwa Is Off to a Very Fun, Very Silly Start | That Shelf
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It feels like this series could have been an immediate follow-up to Davies’s prior run on the series. The tone and style feel in line with Christopher Eccleston and David Tennant’s runs on the series, with a mad alien and a bright-eyed human travelling space and time in a blue box and fixing problems…
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The King Tide Review: A Stark, Stunning Canadian Thriller | That Shelf
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… [D]irector Christian Sparkes captures both the scope and feeling of living in a small but tight-knit community. There’s authenticity to how the characters behave around each other and the closeness with which they speak and act, even when antagonistic. The tone of these scenes at the end is nearly pitch-perfect, and the script by writers…
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The Classics Shelf: Cannes ’82 | That Shelf
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Continuing on from the Criterion Shelf, The Classics Shelf is an ongoing retrospective of classic cinema produced monthly by writer Bil Antoniou and in collaboration with other writers in the That Shelf stable. This month’s theme is the 1982 Cannes Film Festival, and I contributed a review of the 1982 film Moonlighting, starring Jeremy…
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Law & Order Toronto: Criminal Intent Review: The Iconic Franchise Comes to Canada | That Shelf
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[T]his reliance on archetypes and such a well-established formula is both the show’s biggest weakness and its greatest strength. It’s either “another Law & Order…” or “Another Law & Order!” That might seem like a fairly narrow distinction, but it’s true. Once again, this is a franchise with enough episodes under its belt that if…
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Sight Unseen Review: New Canadian Detective Show Has A Unique Hook | That Shelf
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Every excellent detective show needs a hook. Sometimes, the detective is a rogueish outsider or has a particular personality quirk or compulsion. In Sight Unseen, ace detective Tess Avery (newcomer Dolly Lewis) abruptly loses her ability to see. At first, in denial of this, she puts her partner Jake (Daniel Gillies) in peril and…
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Echo Review: Marvel Tries To Answer Criticisms With Mixed Results | That Shelf
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The television entries of the Marvel Cinematic Universe have been, to date, mostly pretty good. While not 100% successful, they have each tried new genres and expanded the universe in interesting ways. While they have performed well with most audiences, there are some that have been dissatisfied with them. Aside from claiming they suffer…